Two well-known Texas philanthropists and art collectors have embarked on a project to transform a downtown building in Marble Falls into a museum that will display their private collection while also welcoming members of the public. The conversion will turn the existing structure into a dedicated cultural space, giving visitors a chance to experience artworks that have previously been viewed only by a limited audience.
Mickey Klein and Jeanne Klein have long supported cultural initiatives across the state, funding exhibitions, scholarships, and community programs. Their new venture adds a high-profile art venue to a community of roughly 7,000 residents, providing a significant cultural addition to a town that previously relied on smaller galleries and traveling shows. By placing their collection in a public setting, they aim to broaden access to the visual arts for local families and tourists alike. The Arthouse occupies 372 square metres, with the public gallery below and a private workspace tucked on a second level.
The couple turned to their longtime architects, Lake Flato, to design office space for staff who were relocating from Midland. What began as a practical request for work areas quickly evolved when the architects recognized the potential for a gallery component. The brief expanded beyond paperwork, allowing the design team to incorporate exhibition spaces, climate-controlled rooms, and visitor amenities within the same footprint.
Partner and founder Ted Flato, together with senior associate Grace Boudewyns, suggested locating the project in the walkable core of the town. The community lies on a crystal lake about an hour from Austin, a setting that draws day-trippers seeking scenic views and local flavor. Their recommendation emphasized the benefits of a central position, where pedestrians could easily discover the museum while exploring nearby shops and cafés. With a local contractor the team secured a compact infill site on Main Street, right beside the 1910 post office, using its scale as a guide.
The design process took a decisive turn during a lunch at the 1929 Blue Bonnet Café, a historic eatery known for its pies. That informal meeting became the brainstorming hub where the idea of a community-focused gallery was first articulated. The café’s relaxed atmosphere encouraged open dialogue, allowing the architects and patrons to sketch out concepts, discuss circulation patterns, and envision how the museum could serve both residents and visitors. They also worked with Sadafumi Uchiyama, curator emeritus of Portland Japanese Garden, to create a petite Japanese-style courtyard about 4.5 metres deep behind the pivoting front door, offering a calm entry.
